Newport Beach Film Festival 2008

 
 
 
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Disappearing In America
Erik Rodgers 2008
Categories: Drama, Feature Film
Average Rating:
Rated 3.572751295358248/5 Stars
My Rating:
Run time: 87 min. | USA
On a foggy morning overlooking the Port of Oakland, three men smuggle in an Irish fugitive named Sean. Wanted for helping the IRA in a bombing gone horribly wrong, he is desperate to lose all traces of his Irish past and adopt a new American identity. He soon questions his decision to flee Ireland when he realizes that one of his captors is set on using him in a series of money-driven drug deals. Although Sean searches for a way out, exploitation and secret motives by those who are supposed to help him make this search seemingly impossible.
11 pictures Pictures
Screenings
time venue calendar tickets
5:30 PM     Sat, Apr 26 Edwards Island 1 + add to cal buy tickets
About the film
Cast & Crew
director
Erik Rodgers
 
producer
Antoinette Peskoff
Devin Digonno
Erik Heiberg
Erik Rodgers
composer
Chris Fudurich
cinematographer
Erik Rodgers
editor
Eric Grush
music director
Chris Fudurich
cast
Anna-Marie Wayne
David Polcyn
Devin Digonno
Mark Pellegrino
Michael Morrison
Richard Eden
Audience Buzz
Rated 3.572751295358248/5 Stars
3.6 | 8
views 825 people viewed this page
adds 29 people added it to their calendar (find out who)
Featured Review
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Rated 5.0/5 Stars
deadlanguage
7:05 PM
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I love the intrigue of this film, how the characters play so well against and with each other. It's such an interesting story that sometimes you gloss over the actors, but their performances are really something amazing. The exploration of the alliances these people hold, both personal and patriotic, are expertly portrayed.
From the blog
Mark Pellegrino at His Devilish Best...
Here is Mark in Capote. A secondary role that set tongues wagging in praise from no less than Philip Seymour Hoffman and Daniel Day Lewis.  He impressed the best of his acting community with a strange, complicated side character who at first glance seemed so simple, but upon reflection opened up all the complications of a broken human pysche.

 I guess Mark has a knack for playing complicated villians. And after a few years of working with him I think I figured out why.  It's not just the uncompromising intellectual rigor with which he approaches his work, where he commits himself to the utmost honesty in performance.  It's that he balances that with a great comedic sensibility.  After all, if the imortal equation 'tragedy + time = comedy' is true, then it's from our deepest sense of pain that comedy originates.  And Mark astutely knows that.  He weaves his magic by remembering that we all laugh at the darkest times, sometimes in spite of ourselves.  He knows that sometimes what we laugh at is the darkest part of tragedy, the part we don't comprehend.

This is what he was able to do in our film. Create a dark and sinister character who manifests the greed and callousness and manipulation, while keeping a sense of the humanity and reality of the character through humor.  It's an amazing feat from an amazing actor.  

I always feel that having Mark on set raises the bar for everyone.  For the other actors, for the crew, but especially for myself.  He makes me reach further, try harder. But most importantly he challenges the work, makes it honest, struggles mightily with the parts no one else would think about.  And this is what makes him so great to watch.

I hope you all enjoy watching his performance as much as I did filming it.

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