Newport Beach Film Festival 2009

This year, we'll have more than 470 films from 50 different countries and did we mention the parties!?!?! Almost every evening of film will be followed up by a special shindig peppered throughout various chic and high-profile locations all over the international destination of Newport Beach.

If you like great movies . . . and live entertainment and hosted bars by Absolut Vodka and Stella Artois, then YOU SHOULD COME.

See you there! http://bit.ly/I0tJ1L

Posted via email from Lights, Camera, Film Fest!

By Kelly Strodl

Today we talk with Andrew Thomas, director of THE ANATOMY OF VINCE GUARALDI. The film follows two friends, who in 1963, get together to make a film about jazz. Ralph J. Gleason (noted jazz writer and co-founder of Rolling Stone) and Vince Guaraldi (then leading the house band at the famed hungry i in San Francisco) met in a recording studio to document how a combo lays down tracks. The result was Guaraldi’s landmark jazz / pop crossover hit, “Cast Your Fate To The Wind”… but the film of that event was only shown once, then was filed away in Gleason’s attic. Recently two new friends got together to take this rare footage and expand it to follow the musical and social impact of Vince Guaraldi as he went onto create the masterful scores for the Peanuts cartoons, the historic Jazz Mass at Grace Cathedral, and lend his music and personality to participate in some of the most important social movements of his time. It’s called “The Anatomy of Vince Guaraldi”.The new friends are Toby Gleason (Ralph’s son) and Andrew Thomas, an award-winning documentarian. Together they have unearthed previously unknown recordings and footage, and gathered an eclectic collection of personalities to perform and share their intimate memories of Guaraldi’s impact -- including Dave Brubeck, Dick Gregory, George Winston, Malcolm Boyd, Paul Krassner, Irwin Corey, John Handy, and more. Scored from Guaraldi’s private recordings that have never been heard before now, and featuring new performances by George Winston, John Hendricks, and David Benoit, “The Anatomy of Vince Guaraldi” is a musical, visual and cultural feast.

Q:  How did you hear about the Newport Beach Film Festival?

When I first moved to Southern California, Newport Beach was my hangout for a summer.  The long days on the sand... the nights spent at Charlie's Chili... and so there's an emotional resonance that encouraged me to try to be accepted at the festival -- coming full circle from searching for my place in filmmaking, then coming "home" to say I've arrived.

Q: Tell a little about the story of your film and the production of it.

Vince Guaraldi is best known for writing the music for the Charlie Brown

TV specials, and for his huge jazz–pop crossover hit, "Cast Your Fate To The Wind". Vince is America's best known, least recognized composer! In 1963, jazz writer Ralph J. Gleason (co-founder of Rolling Stone Magazine and the Monterey Jazz Festival) decided to film his good friend Vince Guaraldi as Vince was recording a new album... and Ralph was there the day that "Cast Your Fate" was performed.  This rare film was only seen once in 1963, and as generally considered "lost" for 48 years.

Recently we found the only print in existence hidden in the attic of the Gleason home in Berkeley... and we've lovingly restored it as the historic document it is. But that short film stops the story prior to Vince's years at the hungry I nightclub with the Beatniks in North Beach, and doesn't include the Peanuts compositions, the infamous Jazz Mass at Grace Cathedral, the concerts for civil rights, free speech and more.

Our new film, "The Anatomy of Vince Guaraldi" expands on all these areas with the help of friends and collaborators -- including Dave Brubeck, George Winston, Dick Gregory, Jon Hendricks, John Handy, Irwin Corey and many more.

Q: Tell a little about yourself and your story in filmmaking.

Most of my filmmaking has been for studios and broadcasters -- from Disney and Discovery, to A&E, Fox, ABC, and others.  But to be true to Vince's story, I had to produce the film outside the normal channels, as some of the content is too harsh for the delicate sensibilities of "corporate media". This proved to be an enormous challenge. Several times through the production we had to stop and accept side work doing "conventional" films in order to fund the ongoing Guaraldi project. (An industrial doc on the manufacturing of nail polish, anyone?)

But we succeeded thanks to the kind help of Vince's family and friends. We may have spent a number of nights sleeping in the back of rental cars, and "borrowing" raw stock from other productions, but the integrity of the story shows.  Even the soundtrack for the film is scored from Vince's own practice tapes, found in a closet in his family's home.  It represents the first new Guaraldi performances to be heard in 46 years. Completely new.  Completely original.

Q: Your take on the performances of the lead actors, (set backs, triumphs, impressions, good surprises, etc.)

Millions of people have heard Dave Brubeck play "Take Five". We feature him singing it. Also, "The Anatomy of Vince Guaraldi" allowed some of Vince's old friends to collaborate with him one more time.  

Taking an unpublished recording of Vince performing "Cast Your Fate", we arranged for jazz legend Jon Hendricks to write new lyrics and layer a new "vocaleze" performance on top, with the help of his daughter and the facility of Tony Bennett's studio.

Q: What do you do when not making a smash indie film?

I scour between the cushions of the couch to find the budget for the next project!

THE ANATOMY OF VINCE GUARALDI screens Thursday, May 5 at 6:30PM at the Triangle Square Theater 2.  

To purchase tickets follow the below link:

http://newportbeach.slated.com/2011/films/theanatomyofvinceguaraldi_andrewthomas_newportbeach2011

Click below to watch the film’s trailer:

Posted via email from Lights, Camera, Film Fest!

By Kelly Strodl

Today we talk with Paul C. Barranco, director of two action sports shorts showing at this year’s festival. The films SURFING THE SILVER DRAGON, and CONFISKATE, will screen at the Actions Sport Shorts section of the festival.

SURFING THE SILVER DRAGON: The program is based around China’s Qiantang River Tidal Bore where surfers Jamie Sterling and Rusty Long take on the beast, a.k.a. “The Silver Dragon” and surf it for miles through the city of Hangzhou.  In addition, we get an inside glimpse of Jamie and Rusty’s experiences on and off the tidal bore in China.

CONFISKATE: Confiskate features pro skater, Josh Campos along with a handful of his closest friends as they session a handrail. The FUEL TV Network ID is a comedic narrative that toys with the synergies between street skaters and a security guard.

Q: How did you hear about the Newport Beach Film Festival? 

I live in SoCal so when the festival happens I always hear about it and track its happenings. I just want to stress that’s it’s an honor to be involved this year.

Q: Tell a little about the story of your film and the production of it. 

On CONFISKATE… it was an idea I thought of a long time ago, maybe 5 or 6 years ago and just jotted it down in a journal that I keep for ideas.  I was always interested in the synergies between security guards and skaters so I came up with this concept.  Well a few years passed and I got busy with other projects but in the back of my mind I knew I should be carving some time out to build up my director reel. My Co-producer Celina Meites basically loved the spot and ended up pushing me forcefully into making it.   Then we gathered a small crew ran out and shot the thing with the help of her and my cast.  So needless to say, I’m glad she shoved me. 

On SURFING THE SILVER DRAGON I was approached to go out to China in 2009 with a group of surfers and a few good friends that I work with. We were welcomed by the Chinese officials and treated like royalty. Every meal and activity was planed for us down to the hour.  The food was something I wasn’t used to, from duck tongue to the ants but I soon found out we we’re being treated to China’s finest cuisine.  It took a little getting used to but after a few sittings it was all good; we not only ingested the food but also to all the culture around us and were guided by some of the most humble people ever.  When it came time to get to work, our guides started off by showing the river in which I’d be shooting from, showing us some of the potential pitfalls it offered, so when the wave turned “on”, we’d be well prepared and we were just that.  On game day when the wave hit, the surfers got on their skis and I jumped on the boat while the editor Dave Gallegos was captain and driver of the boat.  We outran the tidal bore wave for upwards of 10 miles down the river taking us around 45 minutes to complete our run.  The surfers would have to line up with a good part of the wave and we’d need to be close to them in the boat to shoot it.  It was tricky to say the least; I was shooting handheld off a boat doing at least 20 mph with a giant wave coming at us.  Just a little nerve racking.  Anyway we made it out unmarked and to this day I am grateful for the memories it offered. 

Q: Tell a little about yourself and your story in filmmaking. 

Well my Pops shot stills professionally and so I got a lot of insight to the craft just watching him in is meticulous ways.  I shot stills leisurely for many years all while I was at heart, a surfer.  If I wasn’t in the water, I was shooting or at Costco getting my film developed; it was then that I knew I had a deep affinity for photography.  A few years later, my dad bought a video camera. It was a full size VHS camera and I can honestly say that purchase changed my life. I became beyond hooked on video.   I shot everything and anything I could taking my knowledge from stills on over to video.  I made everything from surfing experimental films on down to comedies on makeshift sets to weird abstract shorts.  I’d edit from camera to VHS Deck and even tied in an audio channel as well, usually Jane’s Addiction or Soundgarden.  Anyway, after freaking out my family, cause I still lived at home, I finally jumped into SDSU film school program got my diploma and headed to LA.  Over the years I’ve worked at Fuel TV on their weekly action sports news show for 2 years and was at Globe Int Ltd as their Media Marketing Manager for 3 years creating and producing their global surf and skate event TV programs from Fiji, Oz & Micronesia as well as their commercials all for Fuel TV.  More recently, I have gone independent with my production company Fluid Films Productions Inc. where we create media for core and mainstream categories specializing in commercials.

Q: Your take on the performances of the lead actors, (set backs, triumphs, impressions, good surprises, etc.)

On CONFISKATE the forces were definitely on our side that day of shooting.  We shot gorilla and no one hassled us and no one was hurt the same.  Josh Campos had to kickflip a 12 stair, which had me a little concerned since he was padded up to look plumper.  But he killed it.  In fact, all the dudes this day were insane to work with.  Andrew White the lead skater isn’t an actor but he listened to and trusted me & he pulled it off with flying colors.  

On SURFING THE SILVER DRAGON Jamie Sterling and Rusty Long were absolutely on point.  Rusty had been there the previous year so he knew the wave and Jamie jumped right in with no hitches as well.  Both surfers were taking some risks by surfing this natural phenomenon and they were professional and considerate which is key to making any project work.  

Q: What do you do when not making a smash indie film? 

When I’m not shooting, I’m usually doing a few things.  I surf, swim laps, snowboard, I try to skate the Glendale park from time to time but I suck pretty bad, I hang out with my daughter & lately we’ve been racing go karts at K1 Speed every other week religiously, now that’s a good time. 

CONFISKATE and SURFING THE SILVER DRAGON both screens Thursday, May 5 at 3:30PM at the Triangle Square Theater 8, as part of the  Action Sports Shorts 1 showcase. Other films showing at that time will be:

The Physics Of Surfing | Greg Passmore 2010

Surfing The Silver Dragon | Paul C. Barranco 2010

Calling on Others | Scott LeDuc, Andrew Matthews 2010

Surfing With The Enemy | Adam Preskill and Scott Braman

Solo | Jason Ryan 2010

To purchase tickets follow the below link:

http://newportbeach.slated.com/2011/films/confiskate_paulcbarranco_newportbeach2011

CONFISKATE – VIDEO LINK

SURFING THE SILVER DRAGON TEASER  - VIDEO LINK

See the full gallery on Posterous

Posted via email from Lights, Camera, Film Fest!